Affirmations That Will Change Your Life
1.) I am the architect of my life; I build its foundation
and choose its contents.
2.) Today, I am brimming with energy and overflowing with
joy.
3.) My body is healthy; my mind is brilliant; my soul is
tranquil.
4.) I am superior to negative thoughts and low actions.
5.) I have been given endless talents which I begin to
utilize today.
6.) I forgive those who have harmed me in my past and
peacefully detach from them.
7.) A river of compassion washes away my anger and
replaces it with love.
8.) I am guided in my every step by Spirit who leads me
towards what I must know and do.
9.) (If you’re married) My marriage is becoming stronger,
deeper, and more stable each day.
10.) I possess the qualities needed to be extremely
successful.
11.) (For business owners) My business is growing,
expanding, and thriving.
12.) Creative energy surges through me and leads me to
new and brilliant ideas.
13.) Happiness
is a choice. I base my happiness on my own accomplishments and the blessings
I’ve been given.
14.) My ability to conquer my challenges is limitless; my
potential to succeed is infinite.
15.) (For those who are unemployed) I deserve to be employed and paid
well for my time, efforts, and ideas. Each day, I am closer to finding the
perfect job for me.
16.) I am courageous and I stand up for myself.
17.) My thoughts are filled with positivity and my life
is plentiful with prosperity.
18.) Today, I abandon my old habits and take up new, more
positive ones.
19.) Many people look up to me and recognize my worth; I
am admired.
20.) I am blessed with an incredible family and wonderful
friends.
21.) I acknowledge my own self-worth; my confidence is
soaring.
22.) Everything that is happening now is happening for my
ultimate good.
23.) I am a powerhouse; I am indestructible.
24.) Though these times are difficult, they are only a
short phase of life.
25.) My future is an ideal projection of what I envision
now.
26.) My
efforts are being supported by the universe; my dreams manifest into reality
before my eyes.
27.) (For
those who are single) The perfect partner for me is coming into my life sooner
than I expect.
28.) I radiate beauty, charm, and grace.
29.) I am conquering my illness; I am defeating it
steadily each day.
30.) My obstacles are moving out of my way; my path is
carved towards greatness.
31.) I wake up today with strength in my heart and
clarity in my mind.
32.) My fears of tomorrow are simply melting away.
33.) I am at peace with all that has happened, is
happening, and will happen.
34.) My nature is Divine; I am a spiritual being.
35.) My life is just beginning.© Laurie Swartzfager
September
2011
A Gentle Breeze
As I sit here
all alone admiring the view of an early sunrise
I tilt my
head back and close my eyes.
A soft gentle
breeze crosses my face
I look around
and enjoy the quietness of God's peace and the soft gentle pace
The trees are
in full bloom, the leaves ready to fall
God's beauty
of earth, I admire it all.
As the sun
comes up and begins a new day
I sit here
quietly and begin to pray.
Dear God, I
begin to say, please watch over my life and keep me safe
Give me hope
and show me faith.
Guide my path
and let me know you are near.
Allow me to
be strong and filled with love, for love conquers all fear.
A gentle
breeze crosses my path, and gives me a slight chill
God answers
and says: I am with you still.
I've never
left you alone, or threw you aside, I am in your heart, I will be your guide.
I will show
you the way to master life's difficulties, and trust your heart,
For I am with
you now and forever, I shall never part.
A gentle
breeze I feel again, I know my prayers are answered, God has heard my plea.
He has
pointed this out for me to see.
Life has many
surprises each and every day. We cannot live on regrets and sorrow.
Once again I
feel a gentle breeze which means God is saying:
My child
there is a tomorrow:
The sun will
shine once again, the birds will continue to sing.
Memories will
last forever, and enjoy life a new today, and all that it may bring.
Source:
Family Friend
Poems
http://cvc.cervantes.es/ensenanza/biblioteca_ele/marco/cap_04.htmKeep a SMILE on your face ~ And a SONG in your heart!
Then we'll be NEW friends.
Writing About The Image
a pretty young girl, this set a beautiful red dress, her hair is arranged very well. She grabbed the rope the horse . She looks a little sad that this thinking . It may be that this meditating and caring for your horse. It looks sad. Interestingly, it was observed that the horse can feel the thrill of it. The horse has its head winged girl , like may be posed for the photo. you can make it a genuine , is not where it was taken . When I bought it I really liked the pose of this painting and somehow caught my attention , I could see this making many interpretations and this is my first story making her understand that he is there for her. In a conversation without words something beautiful .
Escribiendo acerca de la imagen
Muchacha muy guapa y joven, esta puesta un hermoso vestido rojo, su pelo esta muy arreglado tambien. Ella esta agarrado la soga del caballo. Ella se mira que esta pensando algo triste. Puede ser que este meditando y cuidando a su caballo. Se mira triste. Interesante, pudo apreciar que el caballo puede sentir la emocion de ella. El caballo tiene su cabeza alado de la muchacha, como haciendola entender que el esta alli para ella. En una conversa sin palabras. algo muy bello. puede que sea posado para la foto. pueda que sea un autentica, no se ve donde fue tomada. Cuando yo la compre me gusto mucho la pose de esta pintura y de alguna manera me llamo la atencion, pude ver en esta toma muchas interpretaciones y este es mi primer relato.
Writing About The Image
The image is a close-up in color black and white of a young man, who looks he could be on his early thirties.
The color of his hears and eyes could be dark brown. His hear is short and clean cut. It looks like he is a business man, because the young man is dress in a business dark suit. He also wears a white or light dress shirt.
He is center in the close-up image. The mean is seated in an airplane or limousine. There is another person also seated in a seat behind him.
The aspect ratio is wide rectangle. He is focus looking forward straight ahead and giving all his attention. He seems in the image that he is restless, preoccupied base in his facial expression he is under a lot of pressure.
References
Sikov’s Film Studies: An Introduction
Page 21 to 23.
http://filmtheory.org/http://filmtheory.org/
http://www.hesslerplasticsurgery.com/vampire-facelift.php
Camera Movement
Writing About camera movement
In the move, Grapes of Wrath there is a speech called, “ I will be there” (by Tom Joan). The camera gets a close up of the actor as he stared to speak and it t follows on zooming in a close up of his face and track the actor. He is not on the center of the screen, he is more to the right of the screen, as he gives the speech. The actor’s is looking down like he is thinking and says, “No you I Casey fair”, he says. Then the actor lift his face up and continues his speech, “only got a phone peaceable", he states. As the actor moves his head up, the camera follows him. The camera is off screen top. As he says, " be one big former belongs yeah”. The other actress is talking on the back, however the camera does not focus to her face or any part of her, but we can be heard when she says, “then what happen?". The camera is zoomed in, reframing to a close up of the actor’s face, while actor continues with the speech. The actor continues with "what to don't matter I will be all around the park" and he pauses and then continues saying "rpt required work. whenever there is fight to hungry people can be I will be there, order cop heat map guy I will be there Appian Way guys you know her/his man way can flash hungry no people the hay my house same people will be there". As the actor finished that statement it looks like it is cut. The camera now focus on the other actor in a closed up of her face as well. You could see that the camera was not following or tracking the other actor, (the mother of Joad).
References
I'll Be There Speech (Tom Joad) Grapes Of Wrath, The Movie Clip.
Sikov’s Film Studies: An Introduction Page 34 to 37.
when you feel sad that you do not support?
the million dollar question !! It is very difficult to know that you have support of nobodies and you have to stand alone !! There moments in my life today without support from anything! I feel my skin is the only one to support me this time I have to go on alone. I feel so lost, I wish that this feeling is so strong that 's you and embrace me and tell me , I 'M HERE WITH YOU , DO NOT BE AFRAID .
Te sientes tristes sin apoyo que haces?
la pregunta del millon!! Es bien dificil saber que no tienes apoyo de nadies y tienes que sobresalir sola!! hay momentos en mi vida como hoy sin apoyo de nada! siento que mi piel es la unica que me soporta esta etapa que tengo que sobre salir sola. Me siento tan perdida, que deseo que este sentir que es tan fuerte seas tu y me abrazaras y me dijeras, AQUI ESTOY YO CONTIGO, NO TENGAS MIEDO.
When you do not know what to do, and you feel sad.
It feels a big hole in your soul , and I wonder what is the soul? the soul really exist? Sadness is very strong and nothing distracts you . Time passes and still in the same storm . One wonders if this is really the situation warrants. A brief thought , pass port and mint appear telling you with a question , this is a nightmare ? awakes you and your being my other half , the person that filled my soul awakens me and assures me that nothing happens that all is well and comes joy . But the sound of a phone woke you ! This is not true , you wake up and know it's not true. Wait , But only in my mind and if there is a movie about love. Maybe there is another way to motivate my life? Because you know and understand foulbrood are feeling. And you also wondered , my other half is going to feel the sadness I feel? What is the moral of my situation , who understands this playwright. You be the judge, tell me more, whey you feel sad. I do want to know….when you are sad, what do you do? I do want to know...
Se siente un gran agujero en su alma , y me pregunto qué es el alma ?
el alma existe realmente? La tristeza es muy fuerte y nada te distrae . Pasa el tiempo y aún en la misma tormenta . Uno se pregunta si esto es realmente la situación lo amerita . Un breve pensamiento , pasar el puerto y la menta parece que le dice con una pregunta , esto es una pesadilla ? usted y su ser mi otra mitad , la persona que llenó mi alma me despierta y me asegura que no pasa nada que todo está bien y viene la alegría se despierta . Pero el sonido de un teléfono que se despertó ! Esto no es cierto , te despiertas y sabes que no es cierto. Espera, pero sólo en mi mente y si hay una película sobre el amor . Tal vez hay otra manera de motivar a mi vida ? Porque usted sabe y entiende loque están sintiendo . Y también se preguntó , mi otra mitad se va a sentir la tristeza que siento? ¿Cuál es la moraleja de mi situación , que entiende este dramaturgo . Sea usted el juez , dime más , usted se siente triste . Yo quiero saber….
To watch movies.
http://www.facundocabral.info/biografia.html
http://www.buscabiografias.com/biografia/verDetalle/6374/Atahualpa%20Yupanqui
51 states
MementoGood
will huntmalcolm
xCitizen
Kane
SLUMDOGCOLOR
PURPULERAFFICMOULIN
ROUGHECRACH
A company called VISTA VISION used three interlocked cameras to record 3 separate images.
One continuous take is A LONG TAKE
What happens when once a scene blends into the next DISSOLVE
PATHE company that hands-stenciled colors onto each frame of the film
If a camera follows a character, it is called A MOTIVATED CAMERA
3 point lighting - consists of a key light and fill light and a back light
The relation of the width of the rectangular image to its height. This is ASPECT RATIO
LETTERBOXING - is preserving the original aspect ratio of a widescreen film when transferring to vdv/broadcasting on tv
DEEP BOXIN -is when objects near the camera, midway and far from the camera are well in sharp focus
Pandora Radio - Listen to Free Internet Radio, Find New Music.htmRemoved
William Shakespeare. Become a Fan 18642 Fans William Shakespeare (baptised 26 April 1564) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright.
Shakespeare was born and raised in Stratford-upon-Avon. Scholars believe that he died on his fifty-second birthday, coinciding with St George’s Day. It is an interesting idea that English writer is so closely identified with the Patron Saint of England!
At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others.
Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623, two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's.
Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world.
According to historians, Shakespeare wrote 37 plays and 154 sonnets throughout the span of his life. Shakespeare's writing average was 1.5 plays a year since he first started writing in 1589. There have been plays and sonnets attributed to Shakespeare that were not authentically written by the great master of language and literature.
William Shakespeare. Become a Fan 18642 Fans William Shakespeare (baptised 26 April 1564) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. Scholars believe that he died on his fifty-second birthday, coinciding with St George’s Day. It is an interesting idea that English writer is so closely identified with the Patron Saint of England! At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623, two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. According to historians, Shakespeare wrote 37 plays and 154 sonnets throughout the span of his life. Shakespeare's writing average was 1.5 plays a year since he first started writing in 1589. There have been plays and sonnets attributed to Shakespeare that were not authentically written by the great master of language and literature.
WHAT HAPPENS IN HEAVEN WHEN WE PRAY?
I dreamed that I went to Heaven and an angel was showing me around. We walked side-by-side inside a large workroom filled with angels. My angel guide stopped in front of the first section and said, 'This is the Receiving Section. Here, all petitions to God said in prayer are received.
I looked around in this area, and it was terribly busy with so many angels sorting out petitions written on voluminous paper sheets and scraps from people all over the world.
Then we moved on down a long corridor until we reached the second section.
The angel then said to me, "This is the Packaging and Delivery Section. Here, the graces and blessings the people asked for are processed and delivered to the living persons who asked for them." I noticed again how busy it was there. There were many angels working hard at that station, since so many blessings had been requested and were being packaged
for delivery to Earth.
Finally at the farthest end of the long corridor we stopped at the door of a very small station. To my great surprise, only one angel was seated there, idly doing nothing. "This is the Acknowledgment Section, my angel friend quietly admitted to me. He seemed embarrassed.
Finally at the farthest end of the long corridor we stopped at the door of a very small station. To my great surprise, only one angel was seated there, idly doing nothing. "This is the Acknowledgment Section, my angel friend quietly admitted to me. He seemed embarrassed.
Finally at the farthest end of the long corridor we stopped at the door of a very small station. To my great surprise, only one angel was seated there, idly doing nothing. "This is the Acknowledgment Section, my angel friend quietly admitted to me. He seemed embarrassed.
Finally at the farthest end of the long corridor we stopped at the door of a very small station. To my great surprise, only one angel was seated there, idly doing nothing. "This is the Acknowledgment Section, my angel friend quietly admitted to me. He seemed embarrassed.Finally at the farthest end of the long corridor we stopped at the door of a very small station. To my great surprise, only one angel was seated there, idly doing nothing. "This is the Acknowledgment Section, my angel friend quietly admitted to me. He seemed embarrassed. "How is it that there is no work going on here? I asked."
"So sad," the angel sighed. "After people receive the blessings that they asked for, very few send back acknowledgments."
"How does one acknowledge God 's blessings? "I asked.
"Simple," the angel answered. Just say, "Thank you, Lord."
"What blessings should they acknowledge?" I asked.
"If you have food in the refrigerator, clothes on your back, a roof overhead and a place to sleep you are richer than 75% of this world.
"So sad," the angel sighed. "After people receive the blessings that they asked for, very few send back acknowledgments."
"How does one acknowledge God 's blessings? "I asked.
"Simple," the angel answered. Just say, "Thank you, Lord."
"What blessings should they acknowledge?" I asked.
"If you have food in the refrigerator, clothes on your back, a roof overhead and a place to sleep you are richer than 75% of this world.
"So sad," the angel sighed. "After people receive the blessings that they asked for, very few send back acknowledgments."
"How does one acknowledge God 's blessings? "I asked.
"Simple," the angel answered. Just say, "Thank you, Lord."
"What blessings should they acknowledge?" I asked.
"If you have food in the refrigerator, clothes on your back, a roof overhead and a place to sleep you are richer than 75% of this world.
"So sad," the angel sighed. "After people receive the blessings that they asked for, very few send back acknowledgments."
"How does one acknowledge God 's blessings? "I asked.
"Simple," the angel answered. Just say, "Thank you, Lord."
"What blessings should they acknowledge?" I asked.
"If you have food in the refrigerator, clothes on your back, a roof overhead and a place to sleep you are richer than 75% of this world."So sad," the angel sighed. "After people receive the blessings that they asked for, very few send back acknowledgments.""How does one acknowledge God 's blessings? "I asked."Simple," the angel answered. Just say, "Thank you, Lord.""What blessings should they acknowledge?" I asked."If you have food in the refrigerator, clothes on your back, a roof overhead and a place to sleep you are richer than 75% of this world.If you have money in the bank, in your wallet, and spare change in a dish, you are among the top 8% of the world 's wealthy, and if you get this on your own computer, you are part of the 1% in the world who has that opportunity."
"If you woke up this morning with more health than illness.. You are more blessed than the many who will not even survive this day.""If you have never experienced the fear in battle, the loneliness of imprisonment, the agony of torture, or the pangs of starvation... You are ahead of 700 million people in the world."
25 One Liners to Make You Smile
1. My husband and I divorced over religious differences. He thought he was God and I didn't.
2. I don't suffer from insanity -- I enjoy every minute of it!
3. I used to have a handle on life, but it broke.
4. Don't take life too seriously -- no one gets out alive.
5. You're just jealous because the voices only talk to me.
6. Beauty is in the eye of the beer holder.
7. Earth is the insane asylum for the universe.
8. I'm not a compete idiot -- some parts are missing!
9. Out of my mind. Back in five minutes.
10. God must love stupid people -- He made so many!
11. The gene pool could use a little chlorine.
12. Consciousness: that annoying time between naps.
13. Ever stop to think, and forget to start again?
14. Being "over the hill" is much better than being under it.
15. Wrinkled was not one of the things I wanted to be when I grew up.
16. Procrastinate now!
17. I have a degree in Liberal Arts -- do you want fries with that?
18. A hangover is the wrath of grapes.
19. A journey of a thousand miles begins with a cash advance.
20. Stupidity is not a handicap. Park elsewhere!
21. He who dies with the most toys is nonetheless dead.
22. A picture is worth a thousand words, but it uses up three thousand times the memory.
23. Ham and eggs -- a day's work for a chicken, a lifetime commitment for a pig.
24. The trouble with life is there's no background music
25. I smile because I don't know what the heck is going on.
Vitamin FI loved this and want to share it with you...
Why do I have a variety of friends who are all so different in character? How can I get along with them all? I think that each one helps to bring out a "different" part of me. With one of them I am polite. I joke with another friend.I sit down and talk about serious matters with one. With another I laugh a lot. I may have a drink with one. I listen to one friend's problems. Then I listen to another one's advice for me.My friends are all like pieces of a jigsaw puzzle. When completed, they form a treasure box. A treasure of friends! They are my friends who understand me better than myself, who support me through good days and bad days. We all pray together and for each other.Real Age doctors tell us that friends are good for our health. Dr. Oz calls them Vitamins F (for Friends) and counts the benefits of friends as essential to our well being. Research shows that people in strong social circles have less risk of depression and terminal strokes. If you enjoy Vitamins F constantly you can be up to 30 years younger than your real age. The warmth of friendship stops stress and even in your most intense moments it decreases the chance of a cardiac arrest or stroke by 50%.I'm so happy that I have a stock of Vitamins F!In summary, we should value our friends and keep in touch with them. We should try to see the funny side of things and laugh together, and pray for each other in the tough moments.
THIS WILL HELP YOU ONLY IF YOU PRACTICE AND/OR DO IT!.
* Accept that some days you're the pigeon, and some days you're the statue.* Always keep your words soft and sweet, just in case you have to eat them.* Always read stuff that will make you look good if you die in the middle of it.* Drive carefully. It's not only cars that can be recalled by their Maker.* If you can't be kind, at least have the decency to be vague.* If you lend someone $20 and never see that person again, it was probably worth it.* It may be that your sole purpose in life is simply to serve as a warning to others.* Never buy a car you can't push.* Never put both feet in your mouth at the same time, because then you won't have a leg to stand on* Nobody cares if you can't dance well. Just get up and dance.* Since it's the early worm that gets eaten by the bird, sleep late.* The second mouse gets the cheese.* When everything's coming your way, you're in the wrong lane.* Birthdays are good for you. The more you have, the longer you live.* You may be only one person in the world, but you may also be the world to one person.* Some mistakes are too much fun to only make once* We could learn a lot from crayons. Some are sharp, some are pretty and some are dull. Some have weird names and all are different colors, but they all have to live in the same box.* A truly happy person is one who can enjoy the scenery on a detour.
THIS WILL HELP YOU ONLY IF YOU PRACTICE AND/OR DO IT!.
* Accept that some days you're the pigeon, and some days you're the statue.* Always keep your words soft and sweet, just in case you have to eat them.* Always read stuff that will make you look good if you die in the middle of it.* Drive carefully. It's not only cars that can be recalled by their Maker.* If you can't be kind, at least have the decency to be vague.* If you lend someone $20 and never see that person again, it was probably worth it.* It may be that your sole purpose in life is simply to serve as a warning to others.* Never buy a car you can't push.* Never put both feet in your mouth at the same time, because then you won't have a leg to stand on* Nobody cares if you can't dance well. Just get up and dance.* Since it's the early worm that gets eaten by the bird, sleep late.* The second mouse gets the cheese.* When everything's coming your way, you're in the wrong lane.* Birthdays are good for you. The more you have, the longer you live.* You may be only one person in the world, but you may also be the world to one person.* Some mistakes are too much fun to only make once* We could learn a lot from crayons. Some are sharp, some are pretty and some are dull. Some have weird names and all are different colors, but they all have to live in the same box.* A truly happy person is one who can enjoy the scenery on a detour.
The 13 secret to obtain whatever you want in life. Plus the 3 to master your life1.
1).The power of thought.2). Desire: the3). Faith: Visualizing and believing. In the attainment of desires.4). Autosuggestion: The medium for influencing the subconscious mind.5). Specialize knowledge: Person experience or observation.6). Imagination: The workshop of the mind.7). Organize Planning: The crystallization of desire onto action.8). Decision: The mastery of PROCRASTINATION.9). Persistence: The sustained effort necessary to induce FAITH.10). Power of the master mind: The driving FORCE.11). the mystery of the sex Transmutation.12.). the subconscious Mind: The connecting Links.13). the brain: A Broadcasting and Receiving Station for thought. 14). The Sixth Sense: The door to the Temple of WISDOM.15). How to outwit the six ghosts of the fear. (Clearing the brain for riches)16). the devil's Workshop. (The seventh basic evil).IF you repeat a million times the famous Emil Coue Formula: "day by day, in every way, I am getting better and better" without mixing emotion and faith with words, you will experience no desirable result. Your subconscious mind recognizes and acts only upon thoughts that have well mixed with emotion or feeling.
1).The power of thought.2). Desire: the3). Faith: Visualizing and believing. In the attainment of desires.4). Autosuggestion: The medium for influencing the subconscious mind.5). Specialize knowledge: Person experience or observation.6). Imagination: The workshop of the mind.7). Organize Planning: The crystallization of desire onto action.8). Decision: The mastery of PROCRASTINATION.9). Persistence: The sustained effort necessary to induce FAITH.10). Power of the master mind: The driving FORCE.11). the mystery of the sex Transmutation.12.). the subconscious Mind: The connecting Links.13). the brain: A Broadcasting and Receiving Station for thought. 14). The Sixth Sense: The door to the Temple of WISDOM.15). How to outwit the six ghosts of the fear. (Clearing the brain for riches)16). the devil's Workshop. (The seventh basic evil).IF you repeat a million times the famous Emil Coue Formula: "day by day, in every way, I am getting better and better" without mixing emotion and faith with words, you will experience no desirable result. Your subconscious mind recognizes and acts only upon thoughts that have well mixed with emotion or feeling.
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I. Introduction/Thesis
A. Background
B. In “To His Coy Mistress,” Andrew Marvell uses rhyme, imagery and tone in order to convince his mistress to give her virginity to him.
II. Stanza I
A. “Had we but world enough, and time, This coyness, lady, were no crime(792).”
B. Analysis
C. “Two hundred to adore each breast, But thirty thousand to rest.” (792).
D. Analysis
E. “For, lady, you deserve this state, Nor would I love at lower rate.” (792).
F. Analysis
III. Stanza II
A. “But at my back I always hear Time’s wingéd chariot hurrying near;” (792).
B. Analysis
C. “And your quaint honor turn to dust, And into ashes all my lust (792).”
D. Analysis
E. “The grave’s a fine and private place, But none, I think, do there embrace”(792).
F. Anaysis
IV. Stanza III
A. Now therefore, while the youthful hue Sits on thy skin like morning dew,”(792).
B. Analysis
C. “Now let us sport us while we may, And now, like amorous birds of prey,”(792).
D. Analysis
E. And tear our pleasures with rough strife Thorough the iron gates of life:”(793).
F. Analysis
V. Conclusion
A. Reinstate thesis
One Art
The art of losing isn't hard to master;
so many things seem filled with the intent to be lost that their loss is no disaster.
Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn't hard to master.
Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster.
I lost my mother's watch. And look! my last, or next-to-last, of three loved houses went.
The art of losing isn't hard to master.
I lost two cities, lovely ones. And, vaster,some realms I owned, two rivers, a continent. I miss them, but it wasn't a disaster.
---Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) like disaster.
English 110
Poem “One Art”
March 25, 0000
The Art of Losing Is Not Hard To Master
The art of losing is not hard to master. On the poem, “One Art” by Elizabeth Bishop, illustrates chronologically the progression of losing. In all the six stanzas are about losing something. Love is compared first to small things not a big deal and it increases to be everything. The writer is trying to say that losing something is not something you need to have skills. These lines are the most direct references in the poem to a painful loss for Bishop. “The art of losing isn’t hard to master” (1). From these examples, it becomes clearer for the reader that one must be aware, in order to triumph over the loss, one should have a realistic expectations and at the same one needs to participate in these times of losing.
The last stanza goes like this: “Even losing you (the joking voice, gesture I love) I shan’t have lied. It is evident why did I pretend to be untruth, when this feeling of warm affection is unmistakable. Human creativity of suffering is easy to become proficient though it may look like (Write it!) like disaster, the acceptance, compassion, realistic expectations, participation and realizing the potential for growth.
Bishop through the writing, exhibits the attributes of loss, one must be aware of in order to triumph over it. She lost her mother’s watched and compares with the houses that she loss, the value seems to be the same for her. Embracing loss can be a wonderful thing when you accept it, being that not all loss will lead to disaster and have potential to grow into something healthy and bountiful once again the writer is telling her readers that it is good to begin feeling comfortable with loss, as it is inevitable experiences in life. These lines are one of the most direct references in the poem to a painful loss for Bishop. (1). The repetition she chooses in her stanzas gives a reader the sense of actually encouraging those to accept loss. The importance of her choice of words to emphasize the sequence of things being lost. Lots of missing without intentions to lose. Bishops compassion and the words “Even lose you” mark the important tone of acceptance in the poem. She accepts already to loss something every day. For example to lose a key of the door or to lose an hour of her time in the day is not a disaster for her. Loss is something that is repeated continuously throughout life as well as in Bishops poem.
Compassion, the art of losing is not hard to master; the speaker is trying to say that losing something is not something you need to have skills. So many things seem filled with the intent many staff seems to be missing without intentions to lose. To get lost and loss something are not important. Then practice losing farther, losing faster: If she would have the skills to loose, she would lose things at a faster rate; embracing loss can be a wonderful thing, Bishop expands on this idea of potential for growth out. For example, she explains to the reader the numerous losses she has taken, such as vast realms of property once owned and “. . . two rivers, a continent” (14), “I miss them, but it wasn’t a disaster” (15)... For example, the housing market of 2006 to 2011 a lots of people that had save money in cash (liquid money in the banks) now own outright their properties, or got a very low interest for their properties., but it wasn’t a disaster” (15). From these examples, it becomes clearer for a reader that in order to triumph over loss; there must also be participation in loss, that is a Realistic expectations and participation.
The fact of losing things should not have any problem, next-to-last, of three loved houses went. She lost two immense lovely cities as well, some realms I owned, two rivers, a continent. Some kingdoms that she owned, and to rivers, one of the large landmasses of the earth. I miss them, but it was not a disaster. With the repetition of loss in “One Art,” Bishop provides opportunities for the reader to interpret what is important to our lives, is it things, relationships or people. The author reminds the reader about daily loss, which would be considered normal, such as forgetting. The art of losing is not too hard to master. The poem, “One Art,” illustrates chronologically the progression of loss from losing, to coping, to expressing through a repetition rhymes. The first line and second lines are reiterated throughout the poem, with the word usage of master and intent. The phrase “isn’t hard to master” is repeated several times with a slight variation of its word usage “not too hard to master in the last stanza. Rhymes of intent appear in five of the six stanzas. Bishop’s repetitive word choice flows as it sets up the relationship of loss throughout a sequence of rhymes
The poet in her poem has a message she wants for you to see that when you lose something, to replace or move on is not that hard as how you think it is. Elizabeth also wants you to get used to losing something, keys, time, names, and place, in order for you to feel comfortable and not like it is the end of the world... Remembering that loss can also turn into growth, there is potential and opportunity for something entirely new and positive to come into play. Bishop further directs the reader to, “practice losing farther, losing faster” (7). Living daily life is the practice for learning to lose quickly and/or more efficiently. At times we may forget what it is or who we are losing and why, due to the “practice” of losing. This practice of learning to lose is achieved over time and is something everyone must accept eventually. The last line repeated, to the effect of "The art of losing isn't hard to master" suggests that the speaker is trying to convince herself that losing things is not hard and she should not worry. Bishop uses these twists to convey her attitude about losing objects. She sets up the progression of loss in the poem, going from the loss of insignificant things to the major loss of a person in a Relationship in the end. She shows through her writing that in order to triumph over loss, one must learn the attributes of acceptance, compassion, participation, realistic expectations, and realizing the potential for growth There is a positive message made out of loss, even with all of the loss detailed in the writing. As she continues to use the same phrase, she is trying to pass her message In addition, the speaker uses hyperboles when describing in the fifth tierce that she lost "two cities...some realms I owned." Since she could not own, much less lose a realm, the speaker seems to be comparing the realm to a large loss in her life. Finally, the statement in the final quatrain "Even losing you" begins the irony in that stanza. The speaker remarks that losing this person is not "too hard" to master. The shift in Bishop shows the reader that losses are not always an actual disaster could one write a disaster or losing scenario with an exaggerated outcome than the reality of it. This is relatable to young individuals, during the first decade or two of life, everything seems new and exciting, but as they age, they lose interest and excitement on new experiences. So many things seem filled with the intent to be lost that their loss is no disaster. The verse form the speaker the remarks that losing this person is not "too hard" to master. Bishop encourages the reader to show acceptance and compassion to loss, as shown throughout and in the last stanza of her writing, she actually encouraging those to accept loss, given that, loss “. . . isn’t hard to master” (1).Even with all the losses that life can bring, many times those losses have the appearance of something much worse than the reality; this is why realistic expectations are important for Bishop in defeating loss.
There is a positive message made out of loss, even with all of the loss detailed in the writing. If you do not remember all the places, and names, and cities, you have visited or did travel. None of these will bring disaster. Human creativity of suffering is easy to become proficient though it may look like (Write it!) like disaster. When the writer, states that this art of losing is “not too hard to master,” her understatement suggests the opposite, as the poem concludes that the loss “may look like (Write it!) Like disaster.” Next time you are dealing with a loss, positive or negative, remember it most likely will not be a disaster, and could very well be a learning lesson. The parenthetical “Write it!” suggests one way to cope with disastrous losses—through art. Next time you are dealing with a loss, could very well be a learning lesson. What have you lost today?
The repetition she chooses in her stanzas gives the reader the sense of actually
English 110
The Art of Losing Is Not Hard To Master
On the poem, One Art by Elizabeth Bishop illustrates chronologically the progression of Losing. The six stanzas are of losing, love is compared first to small things not a big deal and it increases to be everything. The art of losing is not hard to master; the speaker is trying to say that losing something is not something you need to have skills. So many things seem filled with the intent many staff seems to be missing without intentions to lose. Find to be lost that their loss is no disaster. The last stanza goes like this: “Even losing you (the joking voice, gesture I love) I shan’t have lied. It is evident why did I pretend to be untruth, when this feeling of warm affection is unmistakable. Human creativity of suffering is easy to become proficient though it may look like (Write it!) like disaster. The acceptance,compassion, realistic expectations, participation, and realizing the potential for growth.
Acceptance, Through her writing, Bishop exhibits the attributes of loss one must be aware of in order to triumph over it. For example to lose a keys of the doors, or lose an hour of her time in the day. She lost her mother’s watched and compare with the houses that she lost, and it is nothing, you can lose a watch or you can lose homes the value is the same. The last stanza goes like this: “Even losing you (the joking voice, gesture I love) I shan’t have lied. It is evident why did I pretend to be untruth, when this feeling of warm affection is unmistakable. Human creativity of suffering is easy to become proficient though it may look like (Write it!) like disaster. The acceptance, compassion, realistic expectations, participation, and realizing the potential for growth. Through her writing, Bishop exhibits the attributes of loss one must be aware of in order to triumph over it.
Compassion, the art of losing isn't hard to master; the speaker is trying to say that losing something is not something you need to have skills. so many things seem filled with the intent lots of staff seems to be missing without intentions to loose. to be lost that their loss is no disaster. to get lost and loose something are not important. Lose something every day. Accept the fluster She accepted already too loose something every day of lost door keys, the hour badly spent. For example to lose a keys of the doors, or the loose an hour of her time in the day. The art of losing isn't hard to master. losing something is not something you need to have skills. Then practice losing farther, losing faster: If she would have the skills to loose, she would lose things at a faster rate,
Realistic expectations, and participation. If she travels, the fact of losing things should not have any problem, I lost my mother's watch. And look! my last, or She lost her mother’s watched and compare with the houses that she lost, and it is nothing, you can lose a watch or you can lose homes the value is the same, next-to-last, of three loved houses went. Second to the last she lost three lovely houses. The art of losing isn't hard to master. The art of losing is really an skill I lost two cities, lovely ones. And, vaster. She lost two immense lovely cities as well, some realms I owned, two rivers, a continent. Some kingdoms that she owned, and to rivers, one of the large landmasses of the earth. I miss them, but it wasn't a disaster. I excluded them, but it was not a catastrophe. ---Even losing you (the joking voice, a gesture You to a greater degree the most important person in my life I love) I shan't have lied. It's evident.
Realizing The Potential For Growth, Why did I Pretend to be untruth, when this feelings of warm affection is unmistakable. the art of losing's not too hard to master. If you do not remember all the places, and names, and cities, and where you were before, where you have visited or did travel. None of these will bring disaster. Human creativity of suffering is easy to become proficient though it may look like (Write it!) like disaster. When the speaker says that this shows that the art of losing is “not too hard to master,” her understatement suggests the opposite, as the poem concludes that the loss “may look like (Write it!) like disaster.” The parenthetical “Write it!” suggests one way to cope with disastrous losses—through art. The art of losing is not hard to master. Next time you are dealing with a loss, positive or negative, remember it most likely will not be a disaster and could very well be a learning lesson. What have you lost today?
One Art
In "One Art" by Elizabeth Bishop, the speaker revels in the last stanza relates to the other stanzas in verse form and language. The speaker uses these twists to convey her attitude about losing objects.
1 The speaker is trying to say that losing something is not something you need to have skills.
2 lots of staff seems to be missing without intentions to loose..
3 to get lost and loose something are not important.
4 She accepted already to loose something everyday
5 For example to loose a keys of the doors, or the loose an hour of her time in the day.
6 losing something is not something you need to have skills.
7 If she would have the skills to loose, she would loose things at a faster rate.
8 like cities, names, and and where you were before.
9 If she travels, the fact of losing things should not have any problem,
10 She lost her mother’s wathce and compare with the houses that she lost, and it is nothing, you can loose a whatch or you can loose homes the value is the same,
11 Second to the last she lost three lovely houses.
12 The art of loosing is really an skill
13,She lost two immense lovely cities as well.
14 Some kingdoms that she owned, and to rivers, one of the large landmasses of the earth.
15 I excluded them, but it was not a catastrophe.
16 You to a greater degree the most important person in my life
17 Why did I Pretend to be untruth, when this feelings of warm affection is unmistakable.
18 human creativity of suffering is easy to become proficient
though it may look like (Write it!) like disaster.
Elizabeth Bishop.
======================
Notes
Brainstorming
Using types of sources or formats:
Media sources
Magazines
Academic journals
Publish in films
Newspapers
Popular magazines’
http://www.canadacollege.edu/library/#PLSbooks-tab
Academic search Premier
gale virtual references library
JSTOR.ORG
U.S. HISTORY IN TONTEXT
BIOGRAPHY IN CONTEXT
LIBRAY INFORMATION:
Easybib.com
1999. N. pag. American Journey. U.S. History in Context. Web. 4 Oct. 2014.
<http://ic.galegroup.com/ic/
<http://ic.galegroup.com/ic/
Esther
Barros-Garcia
Professor
Olson
Literature
441
Analyzing Some of the Work of Writer and Novelist John Steinbeck.
Works Cited
Anari, Ali, James Kolari, and Joseph Mason. "Bank
Asset Liquidation and the Propagation of the U.S. Great Depression." Journal
of Money, Credit and Banking 37.4 (2005): 753-73. Print.
Dougherty, Charles T. "The Christ-Figure in The
Grapes of Wrath." College English 24.3 (1962): 224-26.
Print.
The Grapes of Warth. Dir. John
Ford. Perf. Henry Fonda, Jane Darwell and John Carradine. Turner Classic
Movies, 1940. DVD.
"Immigration in the Era of Restriction." The
Immigrant Experience. Woodbridge, CT: Primary Source Media, 1999. N. pag.
American Journey. U.S. History in Context. Web. 4 Oct. 2014.
John Steinbeck In Dubious Battle (1936), Steinbeck's novels can all be classified as social novels
dealing with the economic problems of rural labour, but there is also a streak
of worship of the soil in his books, which does not always agree with his
matter-of-fact sociological approach. the story of the imbecile giant Lennie,
and a series of admirable short stories collected in the volume The Long Valley (1938). In 1939 he
published what is considered his best work, The
Grapes of Wrath, the story of Oklahoma tenant farmers who, unable to earn a
living from the land, moved to California where they became migratory workers.
Terkel, Studs. Hard Times: An Oral History of the
Great Depression. New York: Pantheon, 1970. Print.
Annotated
Bibliography
1. Anari,
Ali, James Kolari, and Joseph Mason. "Bank Asset Liquidation and the
Propagation of the U.S. Great Depression." Journal of Money, Credit and
Banking 37.4 (2005): 753-73. Print. His research and economic commentary has
received hundreds of national and international press citations in publications
such as the Wall Street Journal, New York Times, Washington Times, the
Economist, Financial Times, Barrons, Business Week.
2.
Dougherty, Charles T. "The Christ-Figure in The Grapes of
Wrath." College English 24.3 (1962): 224-26. Print.
4. The
Grapes of Warth. Dir. John Ford. Perf. Henry Fonda, Jane Darwell and John
Carradine. Turner Classic Movies, 1940. DVD.
The Grapes of Wrath (1940) is director John Ford's most famous black and
white epic drama - the classic adaptation of John Steinbeck's 1940 Pulitzer
Prize-winning, widely-read 1939 novel. [The sentimental film is much more
closely related to Ford's social protest dramas, The Informer (1935) and How
Green Was My Valley (1941) than to his magisterial Westerns.] This film was the
most popular left-leaning, socialistic-themed film of pre-World War II
Hollywood.
6. John
Steinbeck In Dubious Battle (1936),
Steinbeck's novels can all be classified as social novels dealing with the
economic problems of rural labour, but there is also a streak of worship of the
soil in his books, which does not always agree with his matter-of-fact
sociological approach. After the rough and earthy humour of Tortilla Flat, he
moved on to more serious fiction, often aggressive in its social criticism, to
In Dubious Battle (1936), which deals with the strikes of the migratory fruit
pickers on California plantations. This was followed by Of Mice and Men (1937),
the story of the imbecile giant Lennie, and a series of admirable short stories
collected in the volume The Long Valley (1938). In 1939 he published what is
considered his best work, The Grapes of Wrath, the story of Oklahoma tenant
farmers who, unable to earn a living from the land, moved to California where
they became migratory workers.
